PRODUCT HIGHLIGHTS
- 5K Super 35 CMOS Sensor
- 5120 x 2700 Recording up to 50 fps
- REDCODE RAW, ProRes, and DNx Recording
- High-Speed Recording up to 300 fps in 2K
- Uses DSMC2 Accessories
- Records to RED MINI-MAG Media
- Interchangeable Lens Mounts
- Aluminum Body Construction
SCARLET-W® represents our passion and dedication to carrying on the legacy started by RED ONE®—disrupting the industry and delivering a camera of unparalleled quality and acessibility to content creators everywhere. And now RED has changed the industry again, with the SCARLET-W, powered by a REDDRAGON® sensor and featuring interchangeable lens mounts and OLPFs.
SCARLET-W harnesses the RAW performance, advanced color science, and impressive dynamic range of the RED DRAGON sensor. Capable of shooting motion and stills in 5K 2.4:1 at up to 60 frames per second (fps), or 5K Full Format at 50 fps, SCARLET-W offers 13.8 megapixels of resolution for creative control, special effects, and post-production mastery. As part of RED’s latest generation DSMC2 line, SCARLET-W also features numerous enhancements including simultaneous REDCODE® RAW and Apple ProRes or Avid DNxHR/HD recording, integrated smart connectors for cable-free peripheral attachment, and faster read/write speeds for lower compression—all in a small and lightweight form factor.
Designed around the innovative modular architecture of the DSMC2® family, SCARLET-W is compatible with all of your DSMC2 accessories. Whether you are shooting with a single camera—or an entire arsenal, RED’s modular approach ensures that your DSMC2 accessories are compatible with SCARLET-W, RED RAVEN®, and WEAPON® cameras.
Just one of the advantages of the DSMC2 lineup is the integration of the intelligent DSMC2 OLPF system. Now it is easier than ever to optimize your footage for your shooting environment—by quickly swapping out your optical low pass filter. Choose from our growing line of DSMC2 OLPF options including Standard, Low Light Optimized, Skin Tone-Highlight, or all three with the 3-Pack.
STANDARD: This OLPF offers the perfect balance of light gathering and protective qualities for most shooting environments. It is the ideal OLPF for demanding shooting schedules, and balanced for both light and dark environments—ensuring you’re always ready to capture the perfect shot.
SKIN TONE-HIGHLIGHT: This OLPF captures and preserves color quality in highlights, bright colors, and well-lit environments. It is the ideal OLPF for skin tones and best with lower ISO values.
LOW LIGHT OPTIMIZED: This OLPF provides excellent color and tonal reproduction in dim to dark environments. Use this OLPF to capture and preserve color quality in mid-tones, darks, and shadows.
This product includes the SCARLET-W BRAIN® (w/ integrated media bay), DSMC AC Power Adaptor, SCARLET-W Case, a 1-Year Standard Warranty, and the DSMC2 Standard OLPF or 3-Pack for an additional cost.
NOTE: The SCARLET-W BRAIN itself does not have a DC IN power port. A port expander or power module is required to power the camera. To construct a working configuration for any BRAIN, RED recommends an expander, battery, lens mount, display, and media.
NOTE: Only one (1) expander module can be used at a time.
TECH SPECS:
| SENSOR TYPE | RED DRAGON 13.8 MP Super 35mm CMOS |
| EFFECTIVE PIXELS | 5120 × 2700 |
| SENSOR SIZE | 25.6 mm x 13.5 mm (Diagonal: 28.9 mm) |
| DYNAMIC RANGE | 16.5+ stops |
| MAX DATA RATES | Up to 170 MB/s using RED MINI–MAG |
| MAX FRAME RATES1 | 50 fps at 5K Full Format (5120 × 2700), 60 fps at 5K 2.4:1 (5120 × 2160) 120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728) 150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296) 240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864) |
|
PLAYBACK FRAME RATES (PROJECT TIMEBASE) |
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions |
|
REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:11 |
4:1 REDCODE for 5K Full Format (5120 × 2700) at 24 fps 7:1 REDCODE for 5K Full Format (5120 × 2700) at 50 fps 3:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps 6:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps |
|
REDCODE RAW ACQUISITION FORMATS2 |
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
| APPLE PRORES | ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 60 fps |
| AVID CODECS3 | DNxHR SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 60 fps |
|
TYPICAL MAX RECORDING TIME USING RED MINI–MAG 120GB5 |
5K Full Format (5120 × 2700) at 24 fps and 11:1 REDCODE: 41 minutes 5K Full Format (5120 × 2700) at 48 fps and 14:1 REDCODE: 26 minutes 4.5K 2.4:1 (4608 × 1944) at 120 fps and 15:1 REDCODE: 17 minutes |
| CONSTRUCTION | Aluminum Alloy |
| WEIGHT | 3.5 lbs (BRAIN with Integrated Media Bay) |
| OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) |
| STORAGE TEMPERATURE | –20°C to 50°C (–4°F to 122°F) |
| RELATIVE HUMIDITY | 0% to 85% non-condensing |
| COLOR MANAGEMENT | Supports 17×17×17 3D LUTs Variable number of 3D LUT outputs with DSMC2 expander module User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing |
| AUDIO | Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz |
| REMOTE CONTROL | Integrated R.C.P. WiFi antenna Ethernet, RS232, and GPI Trigger with DSMC2 expander module |
| MONITOR OUTPUTS | 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI Only) SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
| MONITOR OPTIONS | DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, REDTouch 5.0″ LCD, RED PRO 7″ LCD, BOMB EVF(OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable. |
|
REDCINE-X PRO DELIVERY FORMATS |
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 |
|
VIDEO EDITING SOFTWARE COMPATIBILITY4 |
Adobe Premiere Pro, Avid Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro |
| Optical Low Pass Filter | Standard, 3-Pack |
|---|
Speedy Delivery and professional packaging
We offer a broad range of shipping options due to our long-standing partnerships with UPS, FedEx and DHL. Our warehouse personnel will pack every item to our exacting requirements. Prior to shipping, your goods are thoroughly inspected and securely secured. Everyday, we send to thousands of clients in many countries. This is an indication of our commitment to be the largest online retailer globally. The warehouses are located situated in Europe just as they are in the USA.
Note: Orders with more than one item will be assigned a separate processing period for each item.
Before shipping, we will examine thoroughly the items you've ordered. Today, most orders will be delivered within 48 hours. The delivery time varies between 3-7 days.
Returns
Due to the multiple parties involved which include the factory as well as the warehouse, we cannot effectively manage inventory. The actual levels of stock can change at any point. It is possible that the stocks could be depleted after your order has been processed.
The policy is 30 days. If you have passed 30 days in the past since you purchased and we are unable to offer an exchange or refund.
The item you purchase must be in its original packaging and not be used. It must also be in its original packaging.
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